{"id":341,"date":"2016-12-14T16:38:40","date_gmt":"2016-12-14T16:38:40","guid":{"rendered":"https:\/\/www.davideanzaghi.it\/en\/opere\/"},"modified":"2025-08-14T15:49:26","modified_gmt":"2025-08-14T15:49:26","slug":"works","status":"publish","type":"page","link":"https:\/\/www.davideanzaghi.it\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”Sezione” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_fullwidth_header title=”Works” text_orientation=”center” content_max_width=”none” title_font_color=”#decfb5″ admin_label=”Intestazione a Larghezza Piena” _builder_version=”4.16″ title_text_color=”#decfb5″ title_font_size=”58px” background_color=”rgba(255, 255, 255, 0)” background_image=”https:\/\/www.davideanzaghi.it\/wp-content\/uploads\/2016\/12\/opere.jpg” parallax=”on” parallax_method=”on” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ background_url=”https:\/\/www.davideanzaghi.it\/wp-content\/uploads\/2016\/12\/opere.jpg” saved_tabs=”all” global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” collapsed=”off” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”CHAMBER MUSIC” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

CHAMBER MUSIC<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Al\u00e9na” admin_label=”Al\u00e9na per 2 Fl., 2 Ob., 2 Cl., 2 Fg., 2 Cor.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR DOUBLE WIND QUINTET (2 FL., 2 OB., 2 CL., 2 FG., 2 COR.)
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 9\u2019 CA.
\nYEAR OF COMPOSITION: 1976
\nFIRST PERFORMANCE: UTRECHT, GAUDEAMUS, 09\/03\/1976 – I DIECI FIATI ITALIANI, S. GORLI, DIRECTOR
\nEDITIONS SUVINI ZERBONI, MILAN (PARTS ARE AVAILABLE TO HIRE)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Alia” admin_label=”Alia per clarinetto basso e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for bass clarinet and piano
\ndegree of difficulty for the clarinet: medium high
\ndegree of difficulty for the piano: medium
\nduration: approx. 17′
\nyear of composition: 1980
\nFirst performance: Utrecht, Muzieckcentrum Vredenburg, 1, 11, 1981
\nb.cl. H. Sparnaay, pf. P. De Haas
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Aliludio” admin_label=”Aliludio, (musica anche per uno spettacolo di danza) per Fl., Cl., Perc., Pf., Vl., Vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

MUSIC ALSO FOR A DANCE PERFORMANCE
\nFOR FL., CL., PERC., Pf., VL., VC.
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 40\u2019 CA.
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Alm’ala” admin_label=”Alm’ala per Fl., Cl., Pf., Vno, Vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FL., CL., Pf., VNO, VC.
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8\u2019 CA.
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Apog\u00e8o” admin_label=”Apog\u00e8o per Fl., Cl., V., Vc. e Pf” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE, CLARINET, VIOLIN, CELLO AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 15\u2019 CA.
\nYEAR OF COMPOSITION: 1987
\nFIRST PERFORMANCE: MILANO, MUSICA NEL NOSTRO TEMPO, 19\/02\/1989 – DIR. G. TAVERNA
\nEDITIONS SUVINI ZERBONI, MILAN (PARTS ARE AVAILABLE TO HIRE)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ballet” admin_label=”Ballet per ensemble e danzatori” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

CHAMBER MUSIC FOR A BALLET IN THREE SCENES
\nFOR FLUTE, PIANO, PERCUSSION AND CELLO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nTOTAL DURATION: 45\u2019 CA.
\nDURATION SCENE !: 13′ 40\u201d
\nSCENE II: 14\u2019
\nSCENE III: 15′ 50\u201d
\nYEAR OF COMPOSITION: 2009
\nFIRST PERFORMANCE: PARIS, MAINS D’OEUVRES, LIEU POUR L\u2019 IMAGINATION ARTISTIQUE & CITOYENNE, 24.10.08. PROJECT AND CHOREOGRAPHY: ERIC SENEN. ARTISTIC DIRECTOR: GUILLAUME LEMASSON. ACTORS DANCERS: CHRISTINE BRUNEL, FATIMA N’Doye, CHARLEY GU\u00c9RIN.
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Bicinium” admin_label=”Bicinium per Sax baritono in Mi b e Vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR BARITONE SAX IN MI BE AND VC.
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6\u2019 CA.
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Brin” admin_label=”Brin per flauto e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 5\u2019 CA.
\nYEAR OF COMPOSITION: 2007
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Canto morfico” admin_label=”Canto morfico per oboe e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR OBOE AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 3′ 30″ CA.
\nYEAR OF COMPOSITION: 2016
\nEDITIONS CARRARA BERGAMO
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Cavour Trio (Klaviertrio)” admin_label=”Cavour Trio (Klaviertrio) per violoncello, violino e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIOLIN, CELLO AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 10\u2019 CA.
\nYEAR OF COMPOSITION: 2010
\nFIRST PERFORMANCE: MODERN ART GALLERY OF TURIN: 28.11.2010
\nLUIGI PALOMBI, PIANO; IGOR RIVA, VIOLIN; MARCELLA SCHIAVELLI, CELLO
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chifla” admin_label=”Chifla per flauto e chitarra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE AND GUITAR
\nDEGREE OF DIFFICULTY OF FLUTE: MEDIUM-HIGH
\nDEGREE OF DIFFICULTY OF GUITAR: MEDIUM-HIGH
\nDURATION: 10\u2019 CA.
\nYEAR OF COMPOSITION: 1998
\nREVIEWED: 2002
\nFIRST PERFORMANCE: VACCIAGO, FOUNDATION CALDERARA, 14.9.2002
\nLORENZO MISSAGLIA: FLUTE; ELENA CASOLI: GUITAR
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chifladia” admin_label=”Chifladia per flauto, chitarra e percussioni affidate ai due interpreti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE, GUITAR AND PERCUSSIONS ASSIGNED TO BOTH PERFORMERS
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ 30\u201c C.A
\nYEAR OF COMPOSITION: 2015
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chifladia d’ombre” admin_label=”Chifladia d’ombre per flauto e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2016
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chitattro” admin_label=”Chitattro per 4 chitarre” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR 4 GUITARS
\nDEGREE OF DIFFICULTY: HIGH
\nDURATION: 6′ CA.
\nYEAR OF COMPOSITION: 1995
\nPROPERTY OF THE AUTHOR (PARTS ARE AVAILABLE FOR HIRING)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chit\u2019archi” admin_label=”Chit\u2019archi per chitarra e archi (Vl I, Vl II, Vla, Vc, Cb)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR GUITAR AND STRINGS (VL I, II VL, VLA, VC, CB)
\nDEGREE OF DIFFICULTY OF THE GUITAR: HIGH
\nDEGREE OF DIFFICULTY OF STRINGS: MEDIUM
\nDURATION: 17′ CA.
\nYEAR OF COMPOSITION: 2015
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Clartronic” admin_label=”Clartronic per CL. B. e Perc. o Tape” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CL. B., PERC. OR TAPE
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 6′ CA.
\nYEAR OF COMPOSITION: 2009-2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”D’Anza” admin_label=”D’Anza per ensemble e danzatori” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ENSEMBLE AND DANCERS
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 45′ CA.
\nYEAR OF COMPOSITION : 2012-2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Disklaviermusic” admin_label=”Disklaviermusic per pianoforte e disklavier” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO AND DISKLAVIER
\nWORK COMMISSIONED BY VENICE BIENNIAL
\nDEGREEOF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 11′ 40\u201d CA.
\nYEAR OF COMPOSITION: 2001
\nFIRST PERFORMANCE: VENICE, FESTIVAL BIENNIALE MUSICA, 25.5.2001, PIANO AND DISKLAVIER: G. U. BATTEL
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Eco” admin_label=”Eco per violoncello e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

THREE SHORT PIECES FOR CELLO AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-LOW
\nDURATA: 9′ CA.
\nYEAR OF COMPOSITION: 1980
\nFIRST PERFORMANCE: SIENA, ACADEMY CHIGIANA, 25.08.1981 VC. A. MEUNIER, PF. M. DE CARLI
\nEDIZIONI SUVINI ZERBONI, MILAN
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ecco mormorar l\u2019onde” admin_label=”Ecco mormorar l\u2019onde per clarinetto basso in sib. e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR BASS CLARINET IN SIB. AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 5′ CA.
\nYEAR OF COMPOSITION: 2010
\nFIRST PERFORMANCE: 17\/09\/2010: BIENNIAL OF CONTEMPORARY MUSIC (AL)
\nR. PARISI (CL. B.) E. R. BELTRAMI (PF.)
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”\u00c9lan” admin_label=”\u00c8lan per Fl., Ob., Cl., Fg., Perc., V., Va., Vc., Cb.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR 9 INSTRUMENTALISTS (FL., OB., CL., FG., PERC., V, VA, VC., CB.)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 12′ 30\u201d CA. YEAR OF COMPOSITION: 1984
\nFIRST PERFORMANCE.: MILAN, MUSICA NEL NOSTRO TEMPO, 13\/01\/1985 – ENS. GARBARINO EDIZIONI SUVINI ZERBONI, MILAN (PARTS ARE AVAILABLE TO HIRE)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Elogio della Luna” admin_label=”Elogio della Luna per Fl., Cl., Vibr. E perc. (un solo esecutore), Pf., Vln. e Vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTES (ONE PERFORMER), CLARINET, PERCUSSION, PIANO, VIOLIN AND CELLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 13\u2019 30\u201d CA.
\nYEAR OF COMPOSITION: 2009
\nFIRST PERFORMANCE: VENEZIEA TEATRO LA FENICE, 10.12.2009, EX NOVO ENSEMBLE, DIR. C. AMBROSINI
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Era il maggio odoroso…” admin_label=”Era il maggio odoroso… per flauto e arpa” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE, HARP AND SMALL PERCUSSION AD LIB.
\nDEGREE OF DIFFICCULTY: MEDIUM
\nDURATION: 9\u2019 CA.
\nYEAR OF COMPOSITION: 2015
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”For four” admin_label=”For four per quartetto d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR STRING QUARTET
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 13\u2019 CA. YEAR OF COMPOSITION: 1983-1992
\nEDITIONS SUVINI ZERBONI, MILAN (PARTS ARE AVAILABLE TO HIRE)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Guitarduo” admin_label=”Guitarduo per due chitarre” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR TWO GUITARS
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ 15″ CA.
\nYEAR OF COMPOSITION : 2011
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Hommage” admin_label=”Hommage per fisarmonica da concerto e percussione” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CONCERT ACCORDION (BAYAN) AND PERCUSSION
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 6′ CA.
\nYEAR OF COMPOSITION : 2011
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”In-chiostro” admin_label=”In-chiostro per 2 violini e viola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR 2 VIOLINS AND VIOLA
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 12′ CA.
\nYEAR OF COMPOSITION : 1975 REVISION: 1982
\nFIRST PERFORMANCE: LEUVEN, 05\/02\/1976 – TRIO OF COMO
\nFIRST PERFORMANCE OF THE REV .: ROME, NUOVE CONSONANZE, 26\/11\/1984 – TRIO DI COMO
\nSUVINI ZERBONI EDITIONS, MILAN (PARTS ARE AVAILABLE TO HIRE)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Jazz d’antan (I – III)” admin_label=”Jazz d’antan (I – III) per pianoforte a quattro mani” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO FOUR HANDS
\nDEGREE OF DIFFICULTY: MEDIUM
\nYEAR OF COMPOSITION : 1957-2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Kit” admin_label=”Kit per due chitarre” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR TWO GUITARS
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 7\u2019 CA.
\nYEAR OF COMPOSITION: 2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Klaviermusicduo” admin_label=”Klaviermusicduo per 2 pianoforti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for two pianos
\ndegree of difficuty: medium-high
\nduration: 14\u2019 approx.
\nyear of composition: 2001-2002
\nwork property of the author
\navailable as computer recording
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Labia” admin_label=”Labia per quartetto d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Madrigal for string quartet
\ndegree of difficuty: medium
\nduration: 10\u2019 approx.
\nyear of composition: 1982-1983
\nI performance: Roma, Teatro Ghione, 12.11.1984
\nQuartetto Nuova Cameristica
\nedizioni EdiPan, Roma
\n(the parts can be hired out)
\nlive recording is available
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”L\u00ecmine” admin_label=”L\u00ecmine per violino, viola e violoncello” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for string trio (violin, alto, cello)
\ndegree of difficuty: high
\nduration : 10\u2019 approx.
\nyear of composition: 1971; revision 1986
\nI performance: Rotterdam, Festival SIMC, 24.10.1974, Trio Gaudeamus
\nI performance rev.: Paris, France Musique, 27.5.1986, Trio \u00e0 cordes de Paris
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nlive recording is available
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ludus” admin_label=”Ludus” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for trumpet and ensemble
\n(flute, clarinet, piano, violin, cello)
\ndegree of difficuty: medium
\nduration: work at the planning stage
\nyear of composition: work in the planning stage
\nWork property of the author
\navailable a computer recording
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ludus I” admin_label=”Ludus I” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ENSEMBLE (FL., CL., Pf., V., VC.)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nYEAR OF COMPOSITION: 2003-2012
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ludus II” admin_label=”Ludus II” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ENSEMBLE (FL., CL., Pf., PERC., V., VC.)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Memo-Random” admin_label=”Memo-Random” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR OBOE OR SAX SOPRANO SIB AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4′ CA.
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Mitofan\u00eca” admin_label=”Mitofan\u00eca per Fl., Cl., V., Vc, Pf. e Perc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for flute, clarinet, piano, percussions, violin and cello,
\n(Cp., Glock., Ps., Shell Chimes, Tamb. piccolo con corde, Tt. piccolo o Piatto cinese grande, Trg.)
\ndegree of difficuty: medium
\nduration: 16\u2019 approx.
\nyear of composition: 1983-1985
\nI public performance: Cremona, 9.11.1985
\nGruppo Musica Insieme – dir. S. Gorli
\nI broadcasted performance: B.B.C. recording, 21.11.85,
\nDivertimento Ensemble, dir. S. Gorli
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Musica per tre” admin_label=”Musica per tre per violino, violoncello e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIOLIN, CELLO AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nYEAR OD COMPOSITION: OPERA IN FIERI
\nPROPERTY OF THE AUTHOR (PARTIES WILL BE AVAILABLE FOR HIRE)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Musica per uno spettacolo di danza” admin_label=”Musica per uno spettacolo di danza” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE, PIANO, PERCUSSION AND CELLO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 45 CA.
\nDURATION EPISODE I: 13’40 ”
\nDURATION EPISODE II: 14\u201d
\nDURATION EPISODE III: 15’50\u201d
\nYEAR OD COMPOSITION: 2008
\nFIRST PERFORMANCE: PARIS, MAINS D’ OEUVRES, LIEU POUR L ‘ IMAGINATION ARTISTIQUE & citoyenne, 24.10.08. PROJECT AND CHOREOGRAPHY OF ERIC Senen, INSTALLATION \/ PICTURES OF FAUSTA Squatriti, ARTISTIC DIRECTOR: GUILLAUME LEMASSON, ACTORS DANCERS: CHRISTINE BRUNEL, FATIMA N’Doye, CHARLEY GU\u00c9RIN
\nMUSICAL PERFORMERS: LUISA SELLO (FLUTE), RICCARDO Balbinutti (PERCUSSION), GABRIELE ROTA (PIANO), ANDREA Favalessa (CELLO), MARCELLO PAROLINI: DIRECTOR
\nEDITIONS MCHARMONY
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Percussive Music” admin_label=”Musica percussiva per Pf. e 5 percussionisti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\nfor piano and 5 percussionists
\n(I Perc.: 4 Timpani ; II Perc.: Vibraphone, Xylophone; III Perc.: Marimba, Xylophone, 5 Cencerros; IV Perc.: Glockenspiel, 5 Sospended cymbal, Tube bells, 2 Bongos, 2 Timbales, Conga; V Perc.: 2 Rototoms, 2 Gongs not tuned (big and small), 2 Tamtams (big and small), 3 Tomtoms (big, medium and small), Bass Drum, 6 tuned Gongs, 6 Crotales, Long drum, Snare drum, 2 Congas.
\ndegree of difficuty: medium-high
\nduration: work at the planning stage
\nyear of composition: work in the planning stage
\nwork property of the author
\n(the parts can be hired out)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Nepiri” admin_label=”Nepiri per flauto in do, flauto basso in do e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Paraphrase CONCERT ON A POPULAR LOMBARDIC SONG ( \u201cNOBODY REMEMBERS\u201d)
\nFOR FLUTE IN C, BAS FLUTE AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2016
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Oiseau triste” admin_label=”Oiseau triste per ottavino e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piccolo and piano
\ndegree of difficulty for the part of the piccolo: medium-high
\ndegree of difficulty for the part of the piano: medium-high
\nduration: 13\u2019 approx.
\nyear of composition: 1980
\nI perf.:Torino, Conservatorio, 8.10.1981 \u2013 piccolo R. Fabbriciani. pf. C. Neri
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ouverture (I e II)” admin_label=”Ouverture (I e II) per fl., fis. e vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE, CELLO AND CONCERT ACCORDION
\nI PR\u00c9LUDE DURATION: 2\u2019
\nII APR\u00c8SLUDE DURATION: 2′ 30 ”
\nDEGREE OF DIFFICULTY: MEDIUM
\nFIRST PERFORMANCE: PESCARA, 2012
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Phantasus” admin_label=”Phantasus per violoncello e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for cello and piano
\nduration: 14\u2019 approx.
\nyear of composition: 1995
\nI perf.: Milano, Palazzina Liberty, 26.10.1995, cello R. Filippini, pf. B. Canino
\nwork property of the author
\navailable in the computer edition
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Pri-ter” admin_label=”Pri-ter per quartetto d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for string quartet
\ndegree of difficuty: high
\nduration: 6\u2019 approx.
\nyear of composition: 1993
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Queen that” admin_label=”Queen that per quintetto di fiati (Fl., Ob., Cl., Fg. e Cor.)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for wind quintet (Fl., Ob., Cl., Fg., Cor.)
\nduration: 6\u201930\u2019\u2019 approx.
\nyear of composition: 1985-1986
\nI perf.: MILAMO, Musica Nel Nostro Tempo, 15.2.1987 \u2013 Quintetto Arnold
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)WORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Quatuor pour la fin de l’\u00e9t\u00e9” admin_label=”Quatuor pour la fin de l’\u00e9t\u00e9 per Fl. (anche Ott. e Fl. in Sol), Cl.Sib (anche basso), Pf. a 4 mani” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FL. (EVEN PICCOLO AND FL. IN G), CL.SIB (ALSO BASS), PF. 4 HANDS
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8’30 ” CA.
\nYEAR OF COMPOSITION: 2014
\nFIRST PERFORMANCE: FESTIVAL TEMP’ORA, BORDEAUX, 28.08.2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rapsodia” admin_label=”Rapsodia per 2 pianoforti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for two pianos
\n(Episodio I, lntermezzo, Episodio II, Intermezzo, Episodio III)
\ndegree of difficuty: medium-high
\nduration: 15\u2019 approx.
\nyear of composition: 1984
\ndedicated to Bruno Canino and Antonio Ballista
\nfirst performance: Strasbourg, Musica \u201984 \u2013 duo B. Canino, A. Ballista
\nEdizioni Suvini Zerboni, Milano
\navailable the live recording
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Remota” admin_label=”Remota” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for seven performers (Ott.\/Fl. in sol, Cl., Pf., Perc., Va., Vc., Cb.)
\nduration: 13\u2019 approx.
\nyear of composition: 1977
\nI perf.: Firenze, Musicus Concentus, 9.11.1977 \u2013 Ens. Garbarino
\nEdizioni Suvini Zerboni, Milano
\n(parts can be hired out)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Repetita” admin_label=”Repetita per 4 chitarre” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for four guitars
\ndegree of difficuty: high
\nduration: 9\u2019 approx.
\nyear of composition: 1995
\nwork property of the author
\n(parts can be hired out)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ricerca-RE e Ricerca-MI” admin_label=”Ricerca-RE e Ricerca-MI per x fl., cl., pf., vln. e vc.,” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ENSEMBLE (FL., CL., Pf., V., VC.)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nYEAR OF COMPOSITION: 2009
\nRICERCA-RE: DURATION 6 ‘ CA
\nRICERCA-MI: DURATION 4’ 30 ” CA
\nFIRST PERFORMANCE: VENICE, AUDITORIUM CANDIANI, December 11, 2009
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ricr\u00eco” admin_label=”Ricr\u00eco per ottetto di ottoni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for brass octet (4 Tr., 3 Tb. [or. 3 Cor.], Tuba)
\ndegree of difficuty: medium
\nduration: 12\u2019 approx.
\nyear of composition: 1982
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rondello” admin_label=”Rondello” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOPRANO SAX IN SIB (OR OBOE) AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 7′ CA.
\nYEAR OF COMPOSITION:: 2007-2009
\nFIRST PERFORMANCE: MILANO, TEATRO DAL VERME, October 27, 2010
\nSAX SOPR .: ROBERTO ARMOCIDA; PF .: MASSIMILIANO Tisano
\nEDITIONS Sconfinarte
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rond\u00f2 d\u2019aura” admin_label=”Rond\u00f2 d\u2019aura, per oboe e arpa” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for oboe (or sax soprano) and harp
\ndegree of difficuty: medium-high
\nduration: 8\u2019 approx.
\nyear of composition: 2003
\nI perf.: Fondazione Calderara 13.9.2003
\noboe: Luca Avanzi; harp: Elena Elisa Gorna
\nwork property of the author
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rond\u00f2” admin_label=”Rond\u00f2 per oboe e pianoforte (o clavicembalo)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for oboe (or sax soprano) and piano (or harpsichord)
\ndegree of difficuty: medium-high
\nduration: 8\u2019 approx.
\nyear of composition: 2004
\nFIRST PERFORMANCE.: Avellino, Festival of Contemporary Music 2005
\noboe: Luca Avanzi
\nwork property of the author
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”S\u00e8palo” admin_label=”S\u00e8palo per pianoforte a 4 mani” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano four hands
\ndegree of difficuty: medium
\nduration: 13\u2019 approx.
\nyear of composition: 1985
\nFIRST perform.: Roma, Agor\u00e0 80, 15.4.1985 – Duo F. e P. Pollice
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Septuor” admin_label=”Septuor” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

For Fl. (Ott. Fl. in sol), Ob. Cl. Fg. Cor. e Pf. four hands
\ndegree of difficuty: medium
\nduration: 9\u201930\u2019\u2019 ca.
\nyear of composition: 2016-2017\u2028
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Settimino” admin_label=”Settimino per Cl., Fg., Cor., Pf., V., Va. e Vc.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for Cl., Fg., Cr., Pf., V., Va., Vc.
\ndegree of difficuty: medium
\nduration: 6\u2019 approx.
\nyear of composition: 1992
\nI perform.: MI, Nuove Sincronie, 29.11.1992 \u2013 EnsEMBLE Sincronie, dir. R. Rivolta.
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Soavod\u00eca” admin_label=”Soavod\u00eca per clarinetto e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CLARINET AND PIANO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 13′ CA.
\nYEAR OF COMPOSITION : 1980
\nFIRS PERFORMANCE: SIENA, MUSIC WEEK., 26\/08\/1980 – CL. G. GARBARINO, PF. DE CARLI
\nEDIZIONI SUVINI ZERBONI, MILAN
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Soliludio” admin_label=”Soliludio per Fl., Cl., V., Vc e Pf.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for flute, clarinet, violin, cello and piano
\ndegree of difficuty: medium-low
\nduration: 12\u2019 approx.
\nyear of composition: 1982
\nI perform.: Cremona, Spazio Novecento, 10.11.1990, Ens. Musica Insieme
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Spettri” admin_label=”Spettri per violino e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIOLIN AND PIANO
\nDEGREE OF DIFFICULTY OF violin PART: MEDIUM-HIGH
\nDEGREE OF DIFFICULTY OF THE PIANO: MEDIUM-HIGH
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2002
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Spleenmusic” admin_label=”Spleenmusic per trio d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIOLIN, VIOLA AND CELLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2011
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Tear for two” admin_label=”Tear for two per Flauto e Clarinetto in Sib” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE AND CLARINET IN SIB
\nDEGREE OF DIFFICULTY: HIGH
\nDURATION: 5′ CA
\nYEAR OF COMPOSITION: 2013
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Tenebrae” admin_label=”Tenebrae per quintetto di contrabbassi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

QUINTET FOR BASSES
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 13′ CA.
\nYEAR OF COMPOSITION: 2008
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Tornelli” admin_label=”Tornelli per oboe e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for oboe and piano
\ndegree of difficuty for the oboe: medium
\ndegree of difficuty for the piano: medium
\nduration: 10\u2019 approx.
\nyear of composition: 1981
\nI perf.: Roma, Accademia Italiana di Mus. Cont., 5.12.1984,
\nob. A. Franceschelli, pf. C. A. Neri
\nNew York, Cuny Graduate Center, 23.4.1985
\nalso Queens College and New York University
\nob. A. Franceschelli; pf. C. A. Neri
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Tremes” admin_label=”Tremes per viola e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for alto and piano
\ndegree of difficuty for the alto: medium
\ndegree of difficuty for the piano: medium
\nduration: 10\u2019 approx.
\nyear of composition: 1993
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Trittico” admin_label=”Trittico per voce rec., flauto, arpa, violino e violoncello” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

THREE SHORT melologues ON TEXTS BY SILVIA CECCHI AND GIANLUCA MANCINI
\nNIGHT: FOR NARRATOR, FLUTE AND HARP IN SOL (6′ CA)
\nFUOCO: FOR NARRATOR, PICCOLO AND HARP (2’CA)
\nEVENING: FOR NARRATOR, FLUTE, HARP, VIOLIN AND CELLO (3′ CA)
\nDEGREE OF DIFFICULTY: MEDIUM YEAR OF COMPOSITION: 2014
\nFIRST PERFORMANCE: THEATRE CAGLI June 28, 2014
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Variazione” admin_label=”Variazione senza tema per due pianoforti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR TWO PIANOS
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 1′ 30\u2019\u201d CA
\nYEAR OF COMPOSITION: 2002
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Vertigo” admin_label=”Vertigo per pianoforte a quattro mani” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO FOUR HANDS AND PERCUSSIONS ASSIGNED TO THE PERFORMERS
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4′ CA.
\nYEAR OF COMPOSITION: 2012
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”CHOIR AND ORCHESTRA ” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

CHOIR AND ORCHESTRA<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Aur’ore” admin_label=”Aur’ore per coro misto e orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR MIXED-VOICE CHORUS AND ORCHESTRA BASED ON THE LATIN TEXT BY STATIUS (45-96 C. DC)
\nDEGREE OF DIFFICULTY OF NINE CHORAL PARTS: MEDIUM-HIGH
\nDEGREE OF DIFFICULTY FOR ORCHESTRA: MEDIUM
\nDURATION: 23\u2019 CA.
\nYEAR OF COMPOSITION: 1975-1976
\nFIRST PERFORMANCE: MILANO, RAI, 04\/02\/1977 – DIR. A. Markowski MAESTRO OF THE CHOIR: GIULIO BERTOLA ORCHESTRA AND CHORUS OF RAI
\nSUVINI ZERBONI EDITIONS MILAN,
\n(PARTS ARE AVAILABLE TO HIRE) (3.3.4.3 – 4.3.3.1. – PF.\/CEL. – VIBR. – TP. – 3 PERC. [MR., PT. chiodato, 5 TBL., Tab., 3 TRG., GLOCK., 3 TT., CP., CROT., 2 PS., CV., 13 G, GC., 2 BG., M.] – A .: 28.0.12.8.8.) I
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Sacrae intonationes” admin_label=”Sacrae intonationes per coro misto a quattro voci” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SACRAE INTONATIONES
\nFOR MIXED-VOICE CHORUS IN FOUR PARTS
\nFL. (EVEN FL.B.), CR. ING., CL. (EVEN CL.B.) (THESE INSTRUMENTS ARE ALWAYS USED INDIVIDUALLY AND ASSOCIATED WITH SMALL PERCUSSION PLAYED BY THE THREE INSTRUMENTALISTS)
\nDEGREE OF DIFFICULTY: MEDIUM
\nTIME: 15\u2019 CA.
\nYEAR OF COMPOSITION: 2014
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” collapsed=”off” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”NARRATOR AND INSTRUMENTS (ALSO CHOIR)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

NARRATOR AND INSTRUMENTS (ALSO CHOIR)<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Declinava un’estate inquieta” admin_label=”Declinava un’estate inquieta per voce rec. , pianoforte e percussione” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

melologue for narrator, piano and percussion
\non text by the author
\ndegree of difficulty: medium
\nduration: 10\u2019 approx.
\nyear of composition: 1996
\nfirst performance: Milano, 3.10.1996, Palazzina Liberty – narrator O. Piccolo
\nwork property of the author
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”In nomine filii” admin_label=”In nomine filii per voce rec., soprano, coro e ensemble” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

NARRATOR, SOPRANO, CHORUS AND INSTRUMENTAL ENSEMBLE
\n(FL., CL., TR., PF., PERC. [1 ESEC.], 2 V. VA, VC.)
\nTEXT BY THE AUTHOR
\nDEGREE OF DIFFICUTY FOR VOCAL PART: MEDIUM
\nDEGREE OF DIFFICUTY FOR INSTRUMENTAL PARTS: MEDIUM
\nDEGREE OF DIFFICUTY FOR THE CHORUS: LOW
\nDURATION: NOT YET ESTIMATED
\nYEAR OF COMPOSITION: 1997
\nI PERFORMANCE: DUOMO DI DESENZANO DEL GARDA, 19.4.1997
\nARENA DI VERONA: TEATRO NUOVO, 20.4.1997
\nREC. P. VALERIO, SOPR. L. FRAIZZOLI, LAB. DELLA NUOVA MUSICA DI VERONA
\nDIR. ANDREA MANNUCCI
\nWORK PROPERTY OF THE AUTHOR
\n(PARTS CAN BE HIRED OUT)
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”In nomine filii per voce rec., ott., pf., vc.,” admin_label=”In nomine filii per voce rec., ott., pf., vc.,” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

CHAMBER VERSION FOR NARRATOR, FL., PF.. VC.
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION 10′ 30\u201d CA
\nFIRST PERFORMANCE: BERGAMO, SALA PIATTI, 21 March 2009.
\nSONIA GRANDIS (VOICE RECITING), ROSE-MARIE SONCINI (FLUTE), Guido Boselli (CELLO), GABRIELE ROTA (PIANO ), MARCELLO PAROLINI DIRECTOR.
\nYEAR OF COMPOSITION: 2009WORK
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Labirinto di Sangue (Il)” admin_label=”Labirinto di Sangue (Il)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VOICE, TWO PIANOS AND TWO E PERCUSSIONISTS
\n(SECOND PERCUSSIONIST AD LIBITUM)
\nTEXT BY THE AUTHOR
\nDEGREE OF DIFFICUTY FOR INSTRUMENTAL PARTS: MEDIUM
\nDURATION: 11\u2019 APPROX.
\nYEAR OF COMPOSITION: 1999
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” collapsed=”off” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”ORCHESTRA” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

ORCHESTRA<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Anco” admin_label=”Anco per orchestra da camera” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for chamber orchestra
\ndegree of difficuty: medium-high
\nduration: 20\u2019 approx.
\nyear of composition: 1984 (work commissionated by \u201cI Pomeriggi Musicali di Milano\u201d)
\nfirst performance: Milano, Pomeriggi Musicali, 30.3.1985 \u2013 dir. P. Bellugi
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(2.2.2.2. – 2.2.0.0. – Perc. [Tp., Gc., 5 Ps., Tt., Tamb., 2 Trg., Glock., Cp.] – A.)
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ausa” admin_label=”Ausa per grande orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for great orchestra
\n(first prize to the \u201cOlivier Messiaen\u201d competition, 1973)
\ndegree of difficulty for the orchestra: medium-high
\nduration: approx. 16′
\nyear of composition: 1973
\nfirst performance: La Rochelle, Festival, 5.7.1974 \u2013 orch. ORTF, dir. G. Amy
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(5.3.4.3. – 4.3.3.1. – A.: 30.0.12.10.8.)
\nlive recording by Radio Francee and RAI
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Egophonie” admin_label=”Egophonie per orchestra da camera” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for chamber orchestra
\nwinner of the Composition prize \u201cG. F. Malipiero\u201d of Treviso in 1974
\ndegree of difficuty: medium
\nduration: 13\u2019 approx.
\nyear of composition: 1974
\nI performance: Milano, Angelicum, 3.2.1975 – dir. M. Panni
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(2.2.2.2. – 2.2.0.0. – Pf. – Vibr. e Xymar. [1 es.] – Tp. \u2013 1 Perc. [3 Trg., 5 Tbl., 3 Wbl., Tamb., 3 Ps.,
\n3 Tt., Cp., 4 Bg., Glock., Crot., Gc., Hihat, M., Mr., 3 Campanacci, Tab., Tot., Cv.] A.: 11.0.4.3.2.)
\nor:
\n(3.3.2.2. – 2.2.0.0. – Pf. – Cel. – Vibr. and Xymar. [1 es.] – Tp. – 2 Perc. [as above] \u2013 A.: 22.0.8.6.4.)
\nA live recording by Radio France is available
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ermoson\u00eco” admin_label=”Ermoson\u00eco per orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Preludes and one Interlude for orchestra
\ndegree of difficuty: medium
\ntotal duration: 22 \u2019 approx.
\nyear of composition: 1978
\nI performance: Milano, Conservatorio, 30.11.1979 \u2013 dir. G. Sinopoli
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(4.3.4.3. – 4.3.3.1. – Vibr. – Ar. – Pf. – Cel. – Tp. – 5 Perc. [Cp., Xymar., 4 Trg., 2 Ps., Glock., 2 Flex., Ps. chiodato, 4 G., Shell Chimes, Cv., Tt., Tamb., 5 Tbl., Gc., 7 Crot., 2 Cen., Macchina del vento] – A.: 20.0.8.8.8. opp. 20.0.8.6.6.)
\nthe live recording by RAI is available
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Figurazioni per orchestra” admin_label=”Figurazioni per orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ORCHESTRA
\nDEGREE OFOF DIFFICULTY FOR ORCHESTRA: MEDIUM-LOW
\nYEAR OF COMPOSITION: 1963
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Improvvisazione” admin_label=”Improvvisazione per orchestra d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Upon fragments of G. Verdi’s Ave Maria
\nfor strings
\ndegree of difficuty for the orchestra: medium-low
\nyear of composition: 1963
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Limb\u00e0le” admin_label=”Limb\u00e0le per orchestra da camera” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for orchestra
\nwork winner of the X Concorso Intern. di Composiz. \u201cFerdinando Ballo\u201d
\nfounded by Pomeriggi Musicali di Milano
\ndegree of difficuty for the orchestra: medium-high
\nduration: 14\u2019 approx.
\nyear of composition: 1973
\nI performance: Bologna, Teatro Comunale, 10.11.1973 \u2013 dir. B. Martinotti
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(2.2.2.2. – 2.2.0.0. – A.: 11.0.4.3.2. opp. 22.0.8.6.4.)
\nlive recording is available
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Riturg\u00eca” admin_label=”Riturg\u00eca per orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for orchestra
\n(2.2.2.2. – 2.2.0.0. – A.: 11.0.4.3.2. doubleble)
\ndegree of difficuty: medium-high
\nduration: 12\u2019 approx.
\nyear of composition: 1972
\nI perf.: Venezia, Teatro La Fenice, september 14 1972, dir. Zolt\u00e1n Pesk\u00f3
\n(the parts can be hired out)
\navailable a live recording
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”PIANO SOLO” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

PIANO SOLO<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”An\u00e8mone” admin_label=”An\u00e8mone” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\n(part of a contemporary authors Anthology
\nnamed PASSAPORTO PIANISTICO PER IL 2000)
\ndegree of difficulty: medium
\ntotal duration: 3′ approx.
\nyear of composition: 2002
\nedizioni Nuova Carisch 2003, Milano<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Canto popolaresco lombardo (normal hands)” admin_label=”Canto popolaresco lombardo (versione per mani grandi)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano (version for normal hands)
\ndegree of difficulty:easy
\nduration: 3\u2019 and 30\u2019\u2019 approx.
\nyear of composition: 2003
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Canto popolaresco lombardo (small hands)” admin_label=”Canto popolaresco lombardo (versione per piccole mani)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano (version for small hands)
\ndegree of difficulty:easy
\nduration: 3\u2019 and 30\u2019\u2019 approx.
\nyear of composition: 2003
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Change” admin_label=”Change” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium-high
\nduration: 3\u2019 approx.
\nyear of composition: 2002
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)
\nit is available the recording of the computer performance<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Children’s Corner: Berceuse (I – III)” admin_label=”Children’s Corner: Berceuse (I – III)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

THREE SHORT TONAL LULLABIES FOR PIANO SOLO, WRITTEN FOR GRANDCHILDREN ENRICO AND VERA
\nDEGREE OF DIFFICULTY: VERY EASY
\nINDIVIDUAL DURATIONS:
\nBERCEUSE I: 2\u2019 CA. YEAR OF COMPOSITION : 17.11.1999
\nBERCEUSE II: DURATION 3′ CA. YEAR OF COMPOSITION 5.4.2003
\nBERCEUSE III: DURATION 2\u2019 10\u201d CA. YEAR OF COMPOSITION 12.7.2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”En attendant” admin_label=” En attendant” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium
\nduration: 5\u2019 approx.
\nyear of composition: 2003
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Improvvisi (Two)” admin_label=”Improvvisi (Due)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficulty: medium-high
\ntotal duration: 15\u201930\u2019\u2019 approx.; each: 8\u201930\u2019\u2019 approx. (I ), 7\u2019 approx. (II)
\nyear of composition: 1985
\nfirst performance: pianist: Bruno Canino
\nEdizioni Suvini Zerboni, Milano
\navailable the studio recording by RAI
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Intermezzi (Two)” admin_label=”Intermezzi (Due)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ntotal duration : 9\u2019 approx.
\nyear of composition: 1983
\nI performance.: 3.7.1988, Rai Radio Uno, Musica Sera
\npiano: Alberto Malazzi
\nEdizioni Suvini Zerboni, Milano
\navailable the studio recording by RAI
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Jazz suite” admin_label=”Jazz suite” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

JAZZ SUITE
\nFOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION INDIVIDUAL: 4′ CA.
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Klaviermusicsolo” admin_label=”Klaviermusicsolo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium-high
\nduration: 9\u2019 approx.
\nyear of composition: 2001-2003
\nwork property of the author
\navailable as a computer recording
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Marcia funebre with variations” admin_label=” Marcia funebre with variations” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\n(part of a series ordered by Levi Minzi to contemporary authors)
\ndegree of difficuty: medium
\nduration: 7\u2019 approx.
\nyear of composition: 1977
\nI perf.: Piacenza, Conservatorio, 14.11.1998 \u2013 pf. C. Levi Minzi
\nwork property of the author
\navailable in digital edition
\nCD recording available soon
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Musica Vera” admin_label=”Musica Vera” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: very easy, for youngest pianists
\nduration: 3\u201940\u2019\u2019 approx.
\nyear of composition:2003
\nWork property of the author
\navailable a CD recording of the computer performance
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Notturni (Three)” admin_label=”Notturni (Tre)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\n(part of the pianistic Anthology named ATMOSFERE)
\ndegree of difficuty: medium
\neach duration: 3\u201930\u2019\u2019 (I); 2\u2019(II); 2\u201930\u2019\u2019 (III)
\ntotal duration: 8\u2019 approx.
\nyear of composition: 2001
\nEdizioni musicali B\u00e8rben, Ancona
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Notturno d’imeon” admin_label=”Notturno d’imeon” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\n(part of a contemporary authors Anthology named FOGLI D\u2019ALBUM)
\ndegree of difficulty: medium
\nduration: 3\u201930\u2019\u2019 approx.
\nyear of composition: 2001
\nCasa Editrice Musicale G. Ceccherini & C, Firenze
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Novelletta” admin_label=”Novelletta” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO SOLO
\n DEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8\u2019 CA.
\nYEAR OF COMPOSITION: 2004\/2005
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Piano d’antan (I – IV)” admin_label=”Piano d’antan (I – IV)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]
\n<\/span> PIANO (MUSIQUE) D\u2019ANTAN I<\/span><\/strong>
\n<\/span><\/p>\n

1 PIANO (MUSIQUE) D\u2019ANTAN
\nFOUR TONAL PIECESFOR PIANO SOLO (PART OF AN ANTHOLOGY OF CONTEMPORARY AUTHORS TITLED PIANO PASSPORT FOR 2000)
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ CA.
\nYEAR OF COMPOSITION: 2003
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

PIANO D\u2019ANTAN II<\/strong><\/p>\n

FOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ CA.
\nYEAR OF COMPOSITION: 2005
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

PIANO D’ANTAN III<\/strong><\/p>\n

FOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ CA.
\nYEAR OF COMPOSITION: 2005
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

PIANO D’ANTAN IV – EN ATTENDANT<\/strong><\/p>\n

FOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ CA.
\nYEAR OF COMPOSITION: 2005
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Revenants” admin_label=”Revenants” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano four hands
\ntotal duration: 6\u201930\u2019\u2019 ca.
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nyear of composition: summer 2017
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Revenants” admin_label=”Revenants” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

eight Preludes-Variations based on the carillon sonority
\nfor piano solo
\ntotal duration: 30\u2019 approx.
\nyear of composition: 1981
\nI perf.: I serie, Grenoble, 3.6.1982 \u2013 pf: B. Canino
\nEdizioni Suvini Zerboni, Milano
\navailable live CD recording
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ritografia” admin_label=”Ritografia” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\nwork winner of the XVIII Competition of Pianistic Composition of Treviso,1971
\ndegree of difficulty for the orchestra: medium-high
\nduration: approx. 10′
\nyear of composition: 1971
\nI perf.: Treviso, Teatro Comunale, 17.11.1971 – pf. B. Canino
\nEdizioni Suvini Zerboni, Milano
\navailable the CD live recording by B. Canino
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rond\u00f2 della notte” admin_label=”Rond\u00f2 della notte per pianoforte e piccole percussioni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO AND SMALL PERCUSSION played by the interpreter
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2016
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Schumann Suite” admin_label=”Schumann Suite” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SEVEN PIECES FOR PIANO SOLO recreating SEVEN EPISODES OF Kinderszenen BY SCHUMANN
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2006
\nFIRST PERFORMANCE: ROME, NUOVI SPAZI MUSICALI, 09\/10\/06 – PF. H. PHILLIPS
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Segni e suoni” admin_label=”Segni e suoni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium-high
\nduration: 18 \u2019 approx.
\nyear of composition: 1983
\nI perfor.: Latina, XX Festival Pontino di Musica, 16.6.1984
\nPianist: Bruno Canino
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Segni” admin_label=”Segni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\nwork winner of the XVII Pianistic Competition for Composers of Treviso,1970
\ndegree of difficuty: high
\nduration: 10 \u2019 approx.
\nyear of composition: 1967-1970
\nI perform: Treviso, Teatro Comunale, 17.11.1970
\nEdizioni Suvini Zerboni, Milano
\navailable a live CD recording of the performance by B. Canino
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Serial children” admin_label=”Serial children” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\n(work part of an easy ANTHOLOGY of contemporary authors)
\nduration: 3\u2019 approx.
\ndegree of difficuty: easy, for younger pianists
\nanno di composizione: 2002
\nEdizioni Carrara, Bergamo
\nnextly available a computer performance
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Sonata” admin_label=”Sonata” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium
\nduration: 10\u2019 approx.
\nyear of composition: 1957
\nEdizioni Curci, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Son’ora” admin_label=”Son’ora per pianoforte e piccole percussioni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO AND SMALL PERCUSSION PLAYED BY THE PIANIST
\nDEGREE OF DIFFICULTY: MEDIUM -HIGH
\nDURATION: 10′ CA.
\nYEAR OF COMPOSITION: 2014
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Tinum” admin_label=”Tinum” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2012
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Valzer da concerto” admin_label=”Valzer da concerto, rielaborazione per pianoforte da E. Pozzoli” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

rielaboration for piano the from the homonymous work for accordion of Ettore Pozzoli
\ndegree of difficuty: medium
\nduration: 8 \u2019 approx.
\nyear of composition: 2003
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Variazione su tema di Diabelli” admin_label=”Variazione su tema di Diabelli” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\nfor piano solo
\n(belongs to a serie ordered by Canino to contemporary authorsi)
\ndegree of difficuty: medium
\nyear of composition: 2000
\nI perf.: Milano, Spazio Oberdan, 16.5.2000 – pf. B. Canino
\nwork property of the author
\navailable the computer edition
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Variazione su tema di Mozart” admin_label=”Variazione su tema di Mozart” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PIANO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 2′ CA.
\nYEAR OF COMPOSITION: 2006
\nFIRST PERFORMANCE: CAGLIARI, CRYPT OF SAN DOMENICO, 23.11.2006 PF. ANDREA Corazziari
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Variazioni su tema esoterico” admin_label=”Variazioni su tema esoterico” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano solo
\ndegree of difficuty: medium-high
\nduration: 13\u2019 approx.
\nyear of composition: 1990-1991
\nI perf.: Festival Musica d\u2019Oggi, Universit\u00e0 della Calabria, 21.5.1990
\npf. Alberto Malazzi
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”SACRED MUSIC” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SACRED MUSIC<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Riturgia di Milano” admin_label=”Riturgia di Milano” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Oratorio for narrators, choir and ensemble
\n(Fl., Ob., Cl., Fg., Cor., Tr., Pf., 1 Perc., 2 V., 2 Ve., 2 Vc., Cb.).
\non hymns by S. Ambrogio
\nyear of composition: 1994
\ndedicated to S. Ambrogio
\nI performance: Milano, Basilica di S. Ambrogio, 2.12.1994
\nnarrators: G. Lazzarini, G. C. Dettori, S. Grandis
\nDivertimento Ensemble and Camerata Polifonica di Milano. dir: F. Dorsi
\nwork property of the author
\n(the parts can be hired out)
\navailable a live recording
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Sacrae intonationes” admin_label=”Sacrae intonationes per coro misto a quattro voci” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR MIXED-VOICE CHORUS IN FOUR PARTS
\nFL. (EVEN FL.B.), CR. ING., CL. (EVEN CL.B.) (THESE INSTRUMENTS ARE ALWAYS USED INDIVIDUALLY AND ASSOCIATED WITH SMALL PERCUSSION PLAYED BY THE THREE INSTRUMENTALISTS)
\nDEGREE OF DIFFICULTY: MEDIUM
\nTIME: 15\u2019 CA.
\nYEAR OF COMPOSITION: 2014
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” collapsed=”on” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”SOLIST AND ORCHESTRA OR INSTRUMENTS” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

SOLIST AND ORCHESTRA OR INSTRUMENTS<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Secondo Concerto (Sinfonia Concertante)” admin_label=”Secondo Concerto (Sinfonia Concertante)” _builder_version=”4.22.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

for piano and orchestra
\ndegree of difficulty of the pianist\u2019s part: medium-high
\ndegree of difficulty for the orchestra: medium
\nduration: approx. 25 minutes
\nyear of composition: 1993
\nWork property of the author \u2013 registered with SIAE<\/p><\/blockquote>\n

 
\nComposed in the year indicated above and written in traditional notation, prior to the adoption of computer-based systems, the Second Concerto fell into oblivion\u2014even for the composer himself. It was only in 2024, while reviewing the list of his compositions, that Davide Anzaghi rediscovered the existence of two additional concertos for piano and orchestra: the Second and the Third, both following the Fluegelkonzert, first in the series. A peculiar trait of Davide Anzaghi: a composer who forgets some of his own works.[\/et_pb_toggle][et_pb_toggle title=”Terzo Concerto” admin_label=”Terzo Concerto” _builder_version=”4.22.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

for piano and 14 instruments
\ndegree of difficulty of the pianist\u2019s part: medium-high
\ndegree of difficulty for the 14 instruments: medium
\nduration: approx. 20 minutes
\nyear of composition: 1994
\nWork property of the author \u2013 registered with SIAE<\/p><\/blockquote>\n

 
\nThe Third Concerto shared the fate of the Second: swallowed by an oblivion that is difficult to explain rationally. Davide Anzaghi was introduced to music and the accordion at a very early age\u2014an instrument dear to his father\u2014and twice won the World Accordion Competition: in 1950 (Milan) and in 1952 (Spa, Belgium). A music critic, Giulio Confalonieri, who heard the ten-year-old Anzaghi perform in a concert in Milan, wrote: \u201c…Davide Anzaghi\u2019s musicality goes far beyond the suffocating folds of his instrument…\u201d
\nIn 1947, Anzaghi had already won the National Accordion Competition, with a jury presided over by Franco Alfano. Yet, despite these recognitions, the young Davide remained unconvinced. After completing his studies at the Milan Conservatory and undergoing a long psychoanalytic journey to overcome a troubled adolescence, he devoted himself to composition. In 1974, in Paris, he won the Olivier Messiaen International Composition Competition, with a jury composed of Ligeti, Lutos\u0142awski, Xenakis, and presided over by Messiaen himself.[\/et_pb_toggle][et_pb_toggle title=”Alb\u00f2re” admin_label=”Alb\u00f2re per violino e orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for violin and orchestra
\ndegree of difficulty of the violinist’s part: medium-high
\ndegree of difficulty for the orchestra: medium
\nduration: work at the planning stage
\nyear of composition: work in the planning stage
\nWork property of the author<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Archind\u00f2” admin_label=”Archind\u00f2 per violino concertante e orchestra d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for violino concertante and string orchestra
\ndegree of difficulty of the violinist’s part: medium-high
\ndegree of difficulty for the orchestra: medium-high
\nduration: approx. 12\u2019
\nyear of composition: 2000
\nWork property of the author
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Concerto breve per clarinetto e archi” admin_label=”Concerto breve per clarinetto e archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for clarinet and string orchestra
\ndegree of difficuty of the clarinet part: medium-high
\ndegree of difficuty of the strings: high
\nduration: 12\u2019 approx.
\nyear of composition: 1991-1993
\nfirst performance: Milano, Conservatorio – Orchestra Cantelli, cl.: P. Beltramini
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\nit is available the CD recording of a computer performance
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Concerto dell’ali” admin_label=”Concerto dell’ali per Pf. e Orch., opp. Pf e 14 strumenti” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano and orchestra
\nor for piano and 14 instruments
\n(1.1.1.1.-1.1.0.0.-1 Perc. [Tp. and Vibr.] – A.: 4.4.8.8.4. or 2.2.4.4.2 or 1.1.2.2.1.)
\nduration: work at the planning stage
\nyear of composition: work in the planning stage
\nwork property of the author
\n(the parts will be available for hire)\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Fluegelkonzert” admin_label=”Fluegelkonzert per pianoforte e orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\nConcerto for piano and orchestra
\ndegree of difficulty of the pianist’s part: medium-high
\ndegree of difficulty for the orchestra: medium
\nduration: 15\u2019 approx.
\nyear of composition: 1988
\nI performance: Milano, RAI, 30.3.1989 – pf. B. Canino, dir. G. Nowak
\nEdizioni Suvini Zerboni, Milano
\n(the parts can be hired out)
\n(3.3.4.3. – 4.3.3.1. – Tp. – Cel. – 2 Ar. – 4 Perc. [Rototoms, Eolifono, Vibr., Mr., Glock., Tt., Sizzle cymbal, Gc., 5 Ps., Xyl., 4 Cen., 4 G., Trg., Tamb. piccolo, Flauto a coulisse, Cp., Flex., Bacchette di vetro sospese] – A.)
\nthe live recording by RAI is available
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Fluegelsymphonie” admin_label=”Fluegelsymphonie per pianoforte concertante e orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\nfor orchestra and piano concertante
\ndegree of difficulty for the pianist’s part : medium-high
\ndegree of difficulty for the orchestra: medium
\nduration: work at the planning stage (total duration 25′ approx.)
\nyear of composition: work at the planning stage
\nwork property of the author
\n(the parts can be hired out)
\n(3.3.3.3. – 4.3.3.1. – Tp. – Cel. – Ar. – 4 Perc. [Mr., Xyl., Vibr., Cp., Glock., 2 Tt. (grande e picc.), 7 Rototoms, 5 Cen., Trg., 8 G., Gc., 5 Ps., C. chiara, C. rull., 6 Crot., 2 Bg., 2 Timbales, 2 Congas] -A.)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Selon moi” admin_label=”Selon moi per pianoforte e orchestra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for piano and 14 instruments
\n(1.1.1.1. – 1.1.0.0. – Tp. e Vibr. [1 es.] – A.: 1.1.2.2.1.)
\ndegree of difficuty for the pianist: medium-high
\ndegree of difficuty for the ensemble: me
\nduration: work at the planning stage
\nyear of composition: work in the planning stage
\nWork property of the author
\n(the parts can be hired out)\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Streghe di Benevento (Le)” admin_label=”Streghe di Benevento (Le) per flauto e orchestra d\u2019archi” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for flute and string orchestra
\ndegree of difficuty for the flute part: medium-high
\ndegree of difficuty for the orchestra: medium
\nduration: 13\u2019 approx.
\nyear of composition: 1999
\nwork property of the author
\n(the parts can be hired out)
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=” SOLO INSTRUMENT” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SOLO INSTRUMENT<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”Aforismi (I – IV)” admin_label=”Aforismi (I – IV) per violoncello solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

or solo cello
\ndegree of difficulty: medium
\ntotal duration: approx. 5′
\nyear of composition: 2002
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Airy” admin_label=”Airy per clarinetto solo in sib.” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\n4 Studies for solo clarinet
\ndegree of difficulty: medium-high
\ntotal duration: approx. 17′
\nyear of composition: 1983
\nfirst partial performance: Perugia, Amici della Musica, 12.14.1983 – cl. C. Scarponi
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Alineve” admin_label=”Alineve per Flauto contrabbasso in Do” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE BASS IN DO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6′ 15″ CA.
\nYEAR OF COMPOSITION: 2015
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Arpadia” admin_label=”Arpadia” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SUITE FOR HARP
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 11′ 30″
\nYEAR OF COMPOSITION: 2013
\nWORK PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Batrom” admin_label=”Batrom per tromba sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

VARIATIONS FOR SOLO TRUMPET IN SIB
\nDEGREE OF DIFFICULTY: HIGH
\nDURATION: 4′ CA
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Cantio” admin_label=”Cantio per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ 30″
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Cave” admin_label=”Cave per clarinetto” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CLARINET
\nDEGREE OF DIFFICULTY: HIGH
\nDURATION: 4’30 ” CA.
\nYEAR OF COMPOSITION: 2015
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Canzone del pioppo” admin_label=”Canzone del pioppo per chitarra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4′ CA.
\nYEAR OF COMPOSITION: 2015
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Chitarama (I – XII)” admin_label=”Chitarama (I – XII) per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

12 SONGS FOR GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nYEAR OF COMPOSITION: 2009 – 2010
\nINDIVIDUAL DURATIONS: CHITARAMA I: 1′ 50” CA
\nCHITARAMA II: 4′ CA
\nCHITARAMA III: 2′ CA
\nCHITARAMA IV: 1′ 30” CA
\nCHITARAMA V: 2′ 40” CA
\nCHITARAMA VI: 4′ CA
\nCHITARAMA VII: 3′ 30\u201d CA
\nCHITARAMA VIII: 1′ 20\u201d CA
\nCHITARAMA IX: 3\u201d CA
\nCHITARAMA X: 1’30\u201dCA
\nCHITARAMA XI: 1′ 15\u201d CA
\nCHITARAMA XII: 3′ 30\u201d CA
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Corelliana” admin_label=”Corelliana per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5\u2019 30″ CA.
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”D’ance” admin_label=”D’ance per bajan o fisarmonica da concerto” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR BAJAN OR CONCERT ACCORDION
\n(COMMISSIONED BY THE INTERNATIONAL FESTIVAL OF CASTELFIDARDO)
\nAND HERE MADE AS PART OF DUTY OF COMPETITION
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 9′ CA. C
\nYEAR OF COMPOSITION: 1996
\nFIRST PERFORMANCE: INTERNATIONAL FESTIVAL OF CASTELFIDARDO, October 1996
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Elegia” admin_label=”Elegia per violoncello solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CELLO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 7′ 30\u201d CA.
\nYEAR OF COMPOSITION: 2008
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Flaodia I, II, III, IV e V” admin_label=”Flaodia I, II, III, IV e V per flauto solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTE SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nINDIVIDUAL DURATIONS: FLAODIA I: 1′ 20”CA (FOR SOLO FLUTE)
\nFLAODIA II: 1′ 20 CA (FOR FLUTE SOLO)
\nFLAODIA III: 4′ CA (FOR PICCOLO AND FLUTE IN SOL)
\nFLAODIA IV: 2′ 30\u201d CA (FOR FLUTE SOLO)
\nFLAODIA V: 2′ 30 ” CA (FOR FLUTE SOLO)
\nYEAR OF COMPOSITION: 2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Florilegio ermetico (Asfodelo, Loto, Amarilli)” admin_label=”Florilegio ermetico (Asfodelo, Loto, Amarilli)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\n

Amarilli<\/h4>\n

for solo guitar
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4′ 30″
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

\n

Asfodelo<\/h4>\n

for solo guitar
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4′
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

\n

Loto<\/h4>\n

for solo guitar
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 3\u2019 30\u201d
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Flauti e flutti” admin_label=”Flauti e flutti per flauti affidati ad un solo interprete” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FLUTES AND SMALL PERCUSSION ASSIGNED TO A SINGLE INTERPRETER
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6\u2019 CA.
\nYEAR OF COMPOSITION: 2012
\nFIRST. ABSOLUTE PERFORMANCE: CONSERVATORY G. VERDI MILAN, July 26, 2013. F. LOTTI, FLUTES AND PERC. PROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Frauflau” admin_label=”Frauflau per flauto solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO FLUTE
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6\u2019 CA.
\nYEAR OF COMPOSITION: 2016
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ginius” admin_label=”Ginius per violoncello solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CELLO SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 4\u2019CA.
\nYEAR OF COMPOSITION: 1991
\nFIRST PERFORMANCE: ROME, Foro Italico
\nEDIZIONI SUVINI ZERBONI, MILANO
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Guitare d’antan (I – III)” admin_label=”Guitare d’antan (I – III)” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

THREE TONAL PIECES FOR SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nINDIVIDUAL DURATIONS: GUITARE D’ANTAN I: 4\u2019CA
\nGUITARE D’ANTAN II: 3′ CA
\nGUITARE D’ANTAN III: 3\u2019 CA
\nYEAR OF COMPOSITION: 2009 – 2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Imagines (I – V)” admin_label=”Imagines (I – V) per un solo percussionista” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIBRAPHONE AND PERCUSSION ONLY ONE PERFORMER)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nNDIVIDUAL DURATIONS: IMAGO I: DURATION 5\u2019 CA; VIBRAPHONE AND PERCUSSION AT INDETERMINATE SOUND IMAGO II: DURATION 2\u2019 15\u201d; VIBRAPHONE AND PERCUSSION AT INDETERMINATE SOUND
\nIMAGO III: DURATION 4\u2019 15\u201d ‘CA; VIBRAPHONE AND PERCUSSION AT INDETERMINATE SOUND
\nIMAGO IV: DURATION 4 \u201930\u201d CA; VIBRAF., GLOCK., PERCUSS. AT INDETERMINATE SOUND
\nIMAGO V (ONLY INTRODUCTION OF III): DURATION 2\u2019 30\u201d;VIBRAF. AND PERCUSSION AT INDETERMINATE SOUND YEAR COF OMPOSITION: 2008 – 2010
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Halpith” admin_label=”Halpith per flauto solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO FLUTE
\nDURATION: 10\u201d CA.
\nYEAR OF COMPOSITION: 1984
\nFIRST PERFORMANCE: MARIO CAROLI
\nEDITIONS SUVINI ZERBONI, MILAN
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Invenzione con variazione e schizzo” admin_label=”Invenzione per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR (PART OF THE ANTHOLOGY \u201cGUITAR TODAY)
\nDEGREE OF DIFFICULTY: MEDIUM
\nYEAR OF COMPOSITION: 1994
\nEDITIONS SUVINI ZERBONI, MILANO
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Juvenilia” admin_label=”Juvenilia per arpa” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR HARP
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6′ 45″ CA
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Melodie” admin_label=”Melodie per clarinetto solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO CLARINET
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION MELODIA I: 1′ 45\u201d, DURATION OF MELODIA II: 2′
\nYEAR OF COMPOSITION: 2002
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Melopea rituale” admin_label=”Melopea rituale per oboe solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR OBOE SOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 2′ CA.
\nYEAR OF COMPOSITION 2014
\nEDITIONS CARRARA BERGAMO
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Microchit” admin_label=”Microchit per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nINDIVIDUAL DURATIONS: MICROCHIT I: 1′ 30\u201d,
\nMICROCHIT II (KINDERLIED): 1′ 40\u201d
\nMICROCHIT III: 1′ 10\u201d
\nYEAR OF COMPOSITION: 2010
\nPROPERTIES OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Nev’ali” admin_label=”Nev’ali per flauto contrabbasso in Do” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR FL. CB. IN DO OR CL.B. IN SIB AND HARP
\nDEGREE OF DIFFICULTY OF THE WIND INSTRUMENT: MEDIUM
\nDIFFICULTY OF HARP: MEDIUM
\nDURATION: 6\u2019CA.
\nYEAR OF COMPOSITION: 2015
\nPROPERTIES OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Novelletta per Bajan” admin_label=”Novelletta per bajan o fisarmonica da concerto” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

OR FOR CONCERT ACCORDION
\nDURATION: 8\u2019 CA.
\nYEAR OF COMPOSITION: 2004
\nEDITIONS BERBEN, ANCONA
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Phisarama I, II e III” admin_label=”Phisarama I, II e III per fisarmonica da concerto” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR CONCERT ACCORDION OR BAYAN
\nDEGREE OF DIFFICULTY: MEDIUM
\nINDIVIDUAL DURATIONS: PHISARAMA I: 6\u2019 CA.;
\nPHISARAMA II: 4′ 30\u201d;
\nPHISARAMA III: 4′ 15 \u201c
\nYEAR OF COMPOSITION: 2008-2009
\nPROPERTIES OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Pi\u00e8ce pour Guitare Sensible” admin_label=”Pi\u00e8ce pour Guitare Sensible per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

(TRIBUTE TO RAMEAU)
\nFOR GUITAR <\/p>\n

DEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 6′ 30\u201d CA.
\nYEAR OF COMPOSITION: 2014
\nFIRST PERFORMANCE: AUDITORIUM PITTALUGA ALESSANDRIA, 28.09.2014
\nEDITIONS UTORPHEUS
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Querimonia (Super flumina vitae)” admin_label=”Querimonia per organo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ORGAN
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 6′ 30″ CA.
\nYEAR OF COMPOSITION: 2014
\nPROPERTIES OF THE AUTHOR
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Remysola-Sj” admin_label=”Remysola-Sj per ottavino” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR PICCOLO
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5\u2019 CA.
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rond\u00f2” admin_label=”Rond\u00f2” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for oboe (or sax soprano) and piano (or harpsichord)
\ndegree of difficuty: medium-high
\nduration: 8 \u2019 approx.
\nyear of composition: 2004
\nI perfo.: Avellino, Festival of Contemporary Music 2005
\noboe: Luca Avanzi
\nwork property of the author
\navailable a computer edition
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rond\u00f2 per Pia” admin_label=”Rond\u00f2 per Pia” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO SAXOPHONE SOPRANO (OR OBOE)
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nYEAR OF COMPOSITION: 1999
\nDEDICATED TO PIA BENEDUCE (1943-1998)
\nFIRST PERFORMANCE: AVELLINO, MARCH 1999 – SAX. F. MONDELCI
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rossiniana” admin_label=”Rossiniana per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 5′ 40″
\nYEAR OF COMPOSITION: 2012
\nFIRST PERFORMANCE: ROSSINI OPERA FESTIVAL 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Rossiniana II” admin_label=”Rossiniana II per arpa” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR HARP
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nLIFE: 6′ CA.
\nYEAR OF COMPOSITION: 2015
\nCOMPOSED FOR ROSSINI OPERA FESTIVAL PESARO
\nFIRST PERFORMANCE.: ROSSINI OPERA FESTIVAL, AUGUST 2015, P. PERRUCCI, HARP
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Scatole cinesi” admin_label=”Scatole cinesi per vibrafono e strumenti a suono indeterminato” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIBRAPHONE AND PERCUSSION AT INDETERMINATE SOUND
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2005
\nFIRST PERFORMANCE: 20.11.2005 TRIENNALE DI MILANO
\nPERCUSSIONIST: RICCARDO BALBINUTTI
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Schizzo” admin_label=”Schizzo per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR (PART OF THE ANTHOLOGY \u201cGUITAR TODAY)
\nDEGREE OF DIFFICULTY: EASY
\nYEAR OF COMPOSITION: 1994
\nEDITIONS SUVINI ZERBONI, MILANO
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Segoviana” admin_label=”Segoviana per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nYEAR OF COMPOSITION: 2011
\nDURATION: 4\u2019
\nEDITIONS UTORPHEUS
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Sololos” admin_label=”Sololos per violino solo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO VIOLIN
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 5′ 30\u201d CA.
\nYEAR OF COMPOSITION: 2007
\nPROPERTY OF THE AUTHOR WORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Soul’s secrets” admin_label=”Soul’s secrets per flauto basso e piccole percussioni” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR BASS FLUTE AND SMALL PERCUSSIOS PLATED BY THE FLUTIST HIMSELF
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 5\u2019 CA.
\nFIRST PERFORMANCE: BERLIN, MARCH 2015; A. BINI, FLUTE
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE\n<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Storia d’un pioppo” admin_label=”Storia d’un pioppo per chitarra sola” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOLO GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATIONTIME: 4\u2019 CA.
\nYEAR OF COMPOSITION: 2012
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Super flumina” admin_label=”Super flumina per organo” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR ORGAN
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 7\u2019 CA
\nFIRST PERFORMANCE: FESTIVAL ASSISI SUONO SACROI, 2013
\nYEAR OF COMPOSITION: 2012
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Suite tritonica” admin_label=”Suite tritonica Suite in tre movimenti per chitarra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

SUITE IN THREE MOVEMENTS FOR GUITAR
\nDEGREE OF DIFFICULTY: MEDIUM
\nDURATION: 8\u2019 30\u201d CA
\nYEAR OF COMPOSITION: 2013
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Variazioni per percussioni” admin_label=”Variazioni per percussioni per vibrafono e strumenti a suono indeterminato” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VIBRAPHONE AND PERCUSSION AT INDETERMINATE SOUND
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 7′ 30\u201c CA.
\nYEAR OF COMPOSITION: 2005
\nFIRST PERFORMANCE: 10.9.2005, FOUNDATION CALDERARA, VACCIAGO DI AMENO (ORTA)
\nPERCUSSIONIST: RICCARDO BALBINUTTI
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” custom_padding_phone=”50px|0|50px|0″][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”89%” width_tablet=”80%” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_last_edited=”on|desktop” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” width_phone=”80%” max_width_phone=”80%”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”WORKS WITH VOICE” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

WORKS WITH VOICE<\/h2>\n
\n

[\/et_pb_text][et_pb_toggle title=”A las cinco de la tarde” admin_label=”A las cinco de la tarde per baritono e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR BARITONE AND PIANO ON TEXT OF G. LORCA
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 14\u2019 CA.
\nYEAR OF COMPOSITION: 2011
\nFIRST PERFORMANCE: COCCIA THEATRE OF NOVARA (04.04.2012) – Baritone: LUCIANO MIOTTO
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Ariette dolenti” admin_label=”Ariette dolenti, per voce e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR VOICE AND PIANO (LYRICS ON FOUR POPULAR TEXTS reworked BY THEAUTHOR) DEGREE OF DIFFICULTY OF THE SPEECH: MEDIUM
\nDEGREE OF DIFFICULTY OF THE PIANO: MEDIUM
\nTOTAL LDURATION: 25′ CA.
\nYEAR OF COMPOSITION: 2003-2004
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE\/blockquote>
\n[\/et_pb_toggle][et_pb_toggle title=”Astra” admin_label=”Astra per soprano e chitarra” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOPRANO AND GUITAR ON AUTHOR’S TEXT
\nDEGREE OF DIFFICULTY: MEDIUM-HIGH
\nDURATION: 8′ CA.
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Liriche giovanili” admin_label=”Liriche giovanili per soprano e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

for soprano and piano
\nAutumn day: on a text by R. M. Rilke (1875-1926)
\nMatin on a french text by M. Longhi
\nFour sighs: on a text by L. Giustinian (1388-1446)
\ndegree of difficuty: easy
\nyear of composition: 1960
\nwork property of the author
\nWORK REGISTERED AT SIAE (Italian Authors and Publishers Association)<\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Onirama” admin_label=”Onirama per soprano e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

For soprano and piano, on a text by the author
\nduration: 12\u2019 approx.
\nyear of composition: 1980
\nI performance.: Lyon, Auditorium M. Ravel, 14.2.1981, sopr. L. Poli, pf. B. Canino
\nEdizioni Suvini Zerboni, Milano
\nWORK REGISTERED AT SIAE <\/p><\/blockquote>\n

[\/et_pb_toggle][et_pb_toggle title=”Vox” admin_label=”Vox per soprano e pianoforte” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

FOR SOPRANO AND PIANO
\nDEGREE OF DIFFICULTY: HIGH
\nDURATION: 8′ CA. C
\nYEAR OF COMPOSITION: 2014
\nPROPERTY OF THE AUTHOR
\nWORK REGISTERED AT SIAE<\/p><\/blockquote>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

CHAMBER MUSIC FOR DOUBLE WIND QUINTET (2 FL., 2 OB., 2 CL., 2 FG., 2 COR.) DEGREE OF DIFFICULTY: MEDIUM DURATION: 9\u2019 CA. YEAR OF COMPOSITION: 1976 FIRST PERFORMANCE: UTRECHT, GAUDEAMUS, 09\/03\/1976 – I DIECI FIATI ITALIANI, S. GORLI, DIRECTOR EDITIONS SUVINI ZERBONI, MILAN (PARTS ARE AVAILABLE TO HIRE) WORK REGISTERED AT SIAE for bass […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"